JOTA DANCER, CARTAGENA ( copyrightmannypanta@2007) |
The scent of bitter almonds beguiled me in Love in the Time of Cholera. The trickle
of blood with a mind of its own creeped me out in One Hundred Years of Solitude. The abundant red hair cascading from
a nun’s corpse in a demolished crypt horrified
me in Of Love and Other Demons. Now, my cruise ship M/V
Crown Princess was in Cartagena de los Indias, Colombia, and I was within a fifteen-minute taxi drive to the center of this storied,
antique colonial city on the Caribbean coast
of Colombia, setting of many of Gabriel
Garcia Marquez’s novels. Would actually
touching the walls and walking the places in which much of the action in his novels took place
confirm to me what he wrote about? Would Cartagena prove as enchanting and magical as it was made out to
be in the author’s bewitching prose?
Not at first. In fact, on this my very first visit to
Cartagena, I didn’t venture into the city at all. I stayed in the safe, enclosed
cruise terminal grounds. It was on
account of the Colombian taxi drivers.
They had massed outside the closed iron gates, hollering and shouting out for
fares among the alarmed passengers. It
was a formidable human gauntlet in which the desperation was so palpable that anyone could be forgiven for thinking
that he or she was being set up for a possible assault. Many passengers chose
to stay inside the cruise ship terminal, scared and intimidated. Inside the gates were souvenir stores, emerald
shops, food stalls and security. Colorfully-garbed dancers performed on shady
lawns and blue and gold macaws croaked from cages hung from the branches of
trees. Hummingbirds as tiny as dragonflies zipped among the flowering
bushes. No need to go out. Outside was
bedlam and uncertainty. This was Colombia, where one can imagine the scent of violence hanging
in the tropical air like the whiff of gunpowder. Besides, the weather was
terribly muggy and hot. There were passengers and crew who just circulated in
this small tourist area. As far as they were concerned, they were in Colombia.
The next time our ship was in Cartagena, I finally summoned
the courage to brave the taxi drivers’ scrum. A heavyset black woman dressed in a white, official-looking
uniform raised her hand to greet me and
asked if I needed a taxi. I said “Si”, trusting her no-nonsense demeanor. She
led me off to a waiting taxi. Relieved, I sat on the back of
the taxi. To my surprise, the same woman opened the front door and sat on the
seat beside the taxi driver.
I asked in Spanish: “Perdon? Are you coming with me?”
“Oh senor,” she said, “I will be your guide.”
“But senora,” I protested, “ I don’t need a guide. I just
need to go to town.”
The taxi driver said nothing but looked sheepish. He was in
on it.
“Senor, “ said the woman, “ let me just bring you to a
store. The owners are my friends. They’re very nice.”
I quickly debated with myself whether to go in this taxi
with this woman. Once again, I was not sure anymore whether I wanted to visit
Cartagena. During this period of time, there had been a lot of kidnapping and
murders in Colombia. True, Cartagena, maybe for the reason that it was a major
tourist attraction, didn’t suffer any of the violence that beset the rest of
Colombia, but I was still wary. I didn’t want to become a statistic in this
country’s crime wave.
Sensing that I was going to leave them, the taxi driver joined in in pleading with me to stay.
“ You will like the store, senor. We will only be there a few minutes.”
I finally relented and agreed to be driven to town. At ten
dollars round trip, it was a good deal. In fact, as I was about to learn later,
you could hire a taxi for twenty dollars the entire day.
Off we went to the old town.
The cruise ship port was in a part of Cartagena that was
separated from the old city by a body of water spanned by a bridge. An ancient
Spanish fort, much like Fort Santiago in Manila, guarded this approach to the
city. One of the remarkable things about Cartagena is that the original city
walls, having suffered no damage except
from the pirate raids that occurred in the 17th and 18th h
centuries and the general depredations of age,
were still intact and encircled the city. Inside, the old colonial
buildings also stood whole and restored, a testament to Spanish architectural
styles and flair. This was what Manila would have looked like if it had not
been destroyed during World War 11 by both the Japanese and the Americans.
As promised, despite my unwillingness, the taxi deposited me
in front of a souvenir store. My two abductors, the taxi driver and the black
woman in the official-looking uniform, led me inside the establishment. A man and woman in their fifties threw
delighted looks at me and cried: “Bienvenido, senor! Welcome!” I was the only
person in their large space that was
full of souvenirs of every sort.
A tray with a cup and saucer and a pot of Colombian coffee was
produced.
“Taste our coffee, senor,” said the man. “The best in the
world!.”
I took a sip. The taxi driver and the woman stood near the doorway,
watching this play of potential customer and shopkeeper, perhaps anticipating
the commissions they would earn from the activity.
“May I interest you in some souvenirs, senor?” asked the man.
“No,” I said, “not really. I was just brought here. I want
to see your city.”
“It’s a beautiful city, senor,” said the man. “Can I
interest you in some emeralds?”
Resigned to the fact that I wasn’t about to see the
beautiful city of Cartagena anytime soon, I gave in. I had to admit that I was
interested in emeralds. I just didn’t want to be coerced into buying them.
The man led me to a glass case in which emeralds in every
sort of setting - rings, brooches, necklaces, bracelets – were displayed. It
was dazzling, but I had no interest in buying any of it.
I dutifully pointed out a ring or a pendant to please the excited shopgirl who was showing me the gems. I could feel
her desperation in the air. No sales, no commissions. No tourists came into the store. The competition
must be intense, or else the visitors weren’t buying.
Finally, I said: “I’m sorry, but I am not interested in
buying any jewelry today. Maybe some other time.”
The shop girl looked crestfallen. The owner did not give up.
“How about a little souvenir senor? We have some antiques
too.”
One of the peculiar things about Colombia is that you can buy antique pre-Colombian pottery without any sort of export restrictions by the government. If you are knowledgeable in this branch of antiques and can recognize the fake from the genuine, you can get real bargains in the stores here. I examined a few, and found them too expensive. On hindsight, I should have bought a restored bowl that I fancied, but there was the nagging suspicion that it could be an expensive fake. I'd learned my lesson many years ago when I bought a celadon vase from a reputable dealer from Cebu, only to find out, from an appraiser at the National museum no less, that it was made in Cebu ca 1975!
One of the peculiar things about Colombia is that you can buy antique pre-Colombian pottery without any sort of export restrictions by the government. If you are knowledgeable in this branch of antiques and can recognize the fake from the genuine, you can get real bargains in the stores here. I examined a few, and found them too expensive. On hindsight, I should have bought a restored bowl that I fancied, but there was the nagging suspicion that it could be an expensive fake. I'd learned my lesson many years ago when I bought a celadon vase from a reputable dealer from Cebu, only to find out, from an appraiser at the National museum no less, that it was made in Cebu ca 1975!
Again I firmly said no, and, with disappointment on their
face, my store hosts let me go.
To judge
from their faces, the driver and my guide were disappointed as well.
I went outside into the cobblestone streets of Cartagena. It
was like old Manila, or what was left of it. The guide followed me from a
distance. I ducked into an old church. She ducked inside as well. She was not
about to let me go.
Finally, in frustration, I turned around and declared:
“ Yo quiero volver al
barco. I want to return to the ship.”
I had only seen the inside of the store, some surface roads
of Cartagena, and the dank , gloomy interior of that antique church. I was not
about to allow myself to be followed everywhere I went by persons I did not
know.
The taxi driver and the guide brought me back to the ship. I
paid them off with the $10 and walked briskly back into the shaded security of
the cruise ship terminal.
Thus went my first incursion into Cartagena.
Later, I had more satisfying and pleasurable visits to the city in the company of fellow
crewmembers. On these subsequent visits, I was able to visit churches, forts,
had lunch in old cloisters, ambled about in the marketplace unmolested by
stalkers, and even finally purchased emerald jewelry which Colombia is justly
famed for.
If I were to judge Cartagena solely from that first
unfortunate encounter with the taxi driver and the guide, I would not return to
Cartagena. But I was able to make several visits afterwards in less stressful
circumstances and now I have to say that Cartagena is one of my favorite
colonial cities in the world.
One particular scene remains in my mind that has defined
Cartagena for me forever. Not the
churches, forts, old walls or cafes, but a fleeting tableau.
I was walking around the Plaza
de los Coches, the former slave trade market of Cartagena. I was delighted
to find a vendor who sold a variety of sweets that reminded me of the
Philippines, in particular, those balls of sweet shredded coconut we called bocayo.
I bought a dozen and as I launched myself into one of those balls (no joke
intended!), I saw a man walk past me carrying
a pole from which two weaver birds’
nests dangled. The scene was so startling, yet so apt for this city, that it
has stuck in my mind’s eye in the dozen or so years that have passed
since I saw it.
This hot, steaming city of Gabriel Garcia Marquez and Botero enchanted me with its antique beauty and its tropical phantasmagoria.
I hope I can return to spend more time there and read one of Gabriel Garcia
Marquez’s masterpieces in a cloistered garden there. And if I cannot, I take comfort in what the
author had to say about past experiences:
“What matters in life is not what happens to you but what
you remember and how you remember it.”
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